Tuesday, October 30, 2012
Tuesday, October 23, 2012
|Squirkle - 2012 - pvc, fiberglass insulation, cast & pigmented water putty, hot glue, animal hair, and hog intestines|
This little guy is on view at Hamiltonian Gallery as part of their annual benefit exhibition, Call Collect. Myself and about 100 other local artists were invited to donate small works for the cause. See the online catalogue HERE! There will be a closing reception on Friday, November 9th, from 7-9pm...
Monday, October 15, 2012
Saturday, October 13, 2012
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Monday, October 8, 2012
I just encountered Dorothea Tanning's soft sculptures in a book I checked out from the library called Surreal Objects. I've been thinking a LOT about surreal objects lately and how my newer assemblage works might somehow fit into that lineage... but more on that later. Dorothea Tanning just recently died earlier this year at the age of 101. She's probably best known for her work as a painter and as the wife of famed surrealist Max Ernst. When I hear the name Dorothea Tanning, this is typically what comes to mind...
Though her paintings are quite incredible - I also really really enjoy her sculptures! Check out her website for LOTS of images and descriptions of works... it's a really great resource.
I came across this book this weekend in Philadelphia's Free Library... and it so so SO very good! I spent hours poring over a chapter called The Education of the Sense: Child's Play - which talks about early Montessori schools and their emphasis on TOUCH - "The lost paradise of touch could be regained." I love this quote by Walter Benjamin...
Children are particularly fond of haunting any site where things are being visibly worked upon... In using these things they do not so much imitate the works of adults as bring together, in the artifact produced in play, materials of widely differing kinds in a new intuitive relationship. Children thus produce their own small world of things within a greater one.
Walter BenjaminThis reminds me VERY MUCH of some of the things Nikolas Berdyev has to say about "man as microcosm" in his book, The Meaning of the Creative Act.
The next chapter, which I didn't get to finish (the library was closing, and I don't live in PA so I couldn't take it with me) is called HOLLOWS AND BUMPS IN SPACE! This is thesis material, no doubt - right up my alley. Hall suggests that while the Neo-Classicists were obsessed with surfaces, the Modernists have been obsessed with orifices.
I love holes... they're a means of escape or access. They're sexual. Holes are really interesting because they're not there. I like the joke about the guy who dug the holes out of the ground and put them on a truck.Damien Hirst
Thinking about holes in this way is also making me think about CONTRANYMS - words with 2 definitions that are opposites of eachother... ex. CLEAVE - means both to bring together AND to divide... hmmmm
The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as solid mass... The mystery of the hole - the mysterious fascination of caves in hillsides and cliffs.
This has me thinking a lot about POSITIVE and NEGATIVE space...
Tuesday, October 2, 2012
Industrial Cottage - 1977 - oil on canvas - 80 x 182 in. - Smithsonian American Art Museum
Monday, October 1, 2012
My students have been hard at work on their plaster body/form projects. I'm so proud of what they've come up with! Below are some images of their finished work. Have I mentioned how much I LOVE teaching? It's been so fun to help them along with their projects, to see them discover new formal/material/conceptual possibilities. Did I mention how proud I am?
|Mahlet Asrat (front), Monica Peretta (left), and Miyah Taylor (right)|
|Kaitlyn Schmieser (front), Kathi Ha (back)|
|Monica Peretta (front), Miyah Taylor (back)|